If you are a designer who knows HTML, CSS, and JavaScript, you can easily learn how to make native iPhone, iPod touch, and iPad apps—and distribute them worldwide via the App Store.

When combined with an Objective-C framework, web standards can be used to format and style content for iOS, using native controls and behaviors for an authentic Apple user experience.

The Web Designer’s Guide to iOS Apps shows how to create apps using NimbleKit, the Objective-C framework featured on the Apple Development Tools web site. With it you’ll learn how to:[ad code=3 align=center]

• Download and install the free software for creating iOS apps
• Use Xcode to manage project assets, test apps, and package binary files
• Implement standard iOS elements and behaviors for familiar Apple mobile user experiences
• Enhance your app designs with HTML5 and CSS3
• Build a foundation for designing web apps that can be delivered to other smartphones and mobile devices

Table of Contents
1 The big impact of going small
2 Establishing your app design studio
3 Fundamentals of the iOS SDK
4 The iOS interface and user experience

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5 Focus on app content: Text and images
6 Focus on app content: Maps
7 Focus on app content: Audio
8 Focus on app content: Video
9 HTML5 and CSS3
10 Other mobile frameworks
11 Marketing your apps
12 Provisioning and distributing your apps
Appendix: Additional guiding principles

http://www.filesonic.com/file/174057232/New.Riders.The.Web.Designers.Guide.to.iOS.Apps.Dec.2010.rar

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3. iPhone Games Projects : create multiplayer iPhone games

How to Think like a great Graphic Designer

This ebook How to Think like a great Graphic Designer by DEBBIE MILLMAN is inspirations for all graphics designer. This books contains all inspirational speeches and all creative mind of all great graphic artist.  Despite its title, this book will not provide the reader with a recipe to think like some of the most accomplished graphic designers of our time. Consider it instead a glimpse into the minds of these revered masters, in order to understand the way they think and why. This book didn’t start out quite this way. Initially, set out to create an anthology that did, in fact, attempt to uncover common denominators and describe the thought processes of those venerated in the design field. But in order to accomplish this most effectively, designers must conjure this power. This process is complicated. The fundamental backbone of any good design solution is measured not only by what motivates an audience to think in a particular way, but what inspires them to feel a response.

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Design is one of the few disciplines that is a science as well as an art. Effective, meaningful design requires intellectual, rational rigor along with the ability to elicit emotions and beliefs. Thus, designers must balance both the logic and lyricism of humanity every time they design something, a task that requires a singularly mysterious skill. Many of the designers interviewed in this book describe design as a problem-solving activity, yet it’s clear that these designers do far more than that. Despite the obvious similarities, there is one trait shared by each and every person in this group of designers: high levels of empathy. Their sensitivity has given them the ability to logically, poetically, and telegraphically transfer ideas from one mind to another. It imbues the talented designer with a wizardry of sorts, an uncanny ability to create a message and a purity of expression that cuts through the modern-day chaos of sensory overload. This is the remarkable power every designer featured in this book has in abundance. In my interview with him, Milton Glaser observed, “You convey your ideas by the authenticity of your being.” Throughout these pages, there are a great many masters who offer ideas and wisdom through their authenticity. Ultimately, the conversations contained in this book reveal how designers think and view the world, but they are also a testament to how and why great designers are able to create the extraordinary work that they do.

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michael  bierut

“What actually drove me to a therapist was that I had

a very unhealthy obsession with laundry.”

carin  goldberg

“When I was growing up, designers were anonymous.

They didn’t do schtick.”

milton glaser

“ At the end of the day, I would pound them into oblivion and

look forward to the next day when I could recreate the world.”

paula  scher

“ I wanted to make wonderful things, things that other

people liked, things that were important and mattered.”

stefan sagmeister

“ A famous designer is like a famous electrician.”

neville brody

“ It was time to take stock, check my shoes, buy nice clothes,

live comfortably for a while, and see the world again.”

peter saville

“ The sort of weird realization I got at Pentagram—once

I was in—was that they really wanted me to recant and

see that they were the one true church.”

emily oberman & bonnie siegler / number 1 7

“ We should have answered each other’s questions, because

I knew your answer, and I’m sure that you know mine.”

james victore

“ I try to approach everything as a ‘god job.’ ”

john maeda

“ The same sensitivity you can have with an A4 sheet

does not apply to people.”

paul sahre

“ I thought I was going to make my fortune being like

Charles Schulz.”

chip kidd

“ Those are the closest moments to sex in graphic design.”

jessica helfand

“ I’m too obtuse one day, too vapid the next. Too abstract

and intellectual. Too cultivated. Not cultivated enough.”

seymour chwast

“ After my mind has done its job, Mr. Hand takes over.”

lucille tenazas

“ I would tell myself that I was not going to be embarrassed

calling someone for the third time in a month.”

vaughan oliver

“ I would like to get back my love for graphic design,

because I think I’ve lost it.”

steff geissbuhler

“ I certainly danced a few rounds with the devil in my career,

and he often took the lead.”

stephen doyle

“ At that moment, I felt that Milton Glaser was on par with

William Shakespeare and Julius Caesar.”

abbott miller

“ Am I too concerned with conventional notions of beauty

and good taste?”

massimo vignelli

“Love is a cake that comes in layers.”

Download ebook here

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Logo Design

Logo Design Workbook: A Hands-On Guide to Creating Logos

Sean Adams, Noreen Morioka | 2004 | 240 pages | English | PDF | Scan | 52 MB

This book will offer the reader ideas and inspiration by featuring hundreds of real life logos from around the world that have succeeded for their clients, as well as hardworking content focused on the basics including:
- Choosing colors
- Choosing the right typeface
- Size matters
- How to incorporate logos on products and collateral
- Common mistakes in logo design
- What makes a logo successful
Scattered throughout the second portion of the book will be profiles interviews with prominent logo designers as well as sidebars which examine the evolution of many well known logos as well as some historical logos that have shaped graphic design.

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Quote:

http://uploading.com/files/8m49e18d/logo-design-workbook.zip/

http://uploading.com/files/2e722m27/logo-design-workbook.zip/

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